1. Rammstein Lyrics
2. Rammstein Songs Lyrics
3. Rammstein Songs Download
4. Rammstein Best Songs Download
5. Rammstein Songs List

The majority of their songs are in German, but they have also performed songs entirely or partially in other languages including English, Spanish, French, and Russian. Rammstein's award-winning live shows are known for their pyrotechnic elements and both on and off-stage theatrics. Rammstein's entire catalogue is published by Universal Music Group. Rammstein's songs: Listen to songs by Rammstein on Myspace, Stream Free Online Music by Rammstein.

Rammstein is a famous German band whose music is best described as dark, heavy rock. They are somewhat political and often take on social issues in their songs and that has led to controversy. Whatever your take on Rammstein's political views, the band's lyrics are also a lesson in German.

Rammstein Lyrics

“Rammstein 3D” is what guitarist Richard Z. Kruspe promised Kerrang! last November, when asked what to expect from the band’s seventh opus, which they were then in the final stages of completing. Considering this was a band who had already taken heavy noise to new unchartered dimensions, both visually and sonically, it was almost hard to know what he was getting at – but when the video for Deutschland arrived last month, all became crystal clear. Make no mistake, this is shaping up to be Rammstein at their most staggering and conceptually epic. Before the rest of that new music arrives on May 17, now feels like a good time as any to reacquaint ourselves with the sextet’s back catalogue…

6. Rosenrot (2005)

In all honesty, there’s simply no such thing as a bad Rammstein record – all six studio albums contain more than their fair share of face-melting Teutonic glory. That said, their fifth full-length fell slightly short of the creative genius so boldly present on the albums before it. Released only a year after its predecessor – which half of its tracks were originally penned for – it was even named Reise, Reise Volume Two before the group eventually settled on Rosenrot (translating as ​‘rose-red’ in English). But this is no half-arsed collection of B‑sides… far from it. Mann Geggen Mann witnesses some of most maniacal roars we’ve heard from Till Lindemann, while more keen-eared fans may have recognised the ​‘Hey’ sample used in pulverising opener Benzin from Prodigy chart-topper Firestarter, originally lifted off Art Of Noise track Close (To The Edit). One of the more unlikely collaborations in rock history arrived with Stirb Nicht Vor Mir, which features guest vocals from Sharleen Spiteri of Scottish pop-rockers Texas, alongside German singer Bobo – who has lent her voice to a handful of Rammstein songs over years. Over half of these songs have never been performed on stage, and considering just how much great music they’ve written over the course of 25 years, that’s perfectly understandable.

For some bands, evolution equates to moving through genres and eventually leaving their roots firmly in the past. This is definitely not the case with Rammstein, however. All the flavours you would expect from them today are present on their mid-’90s debut – crushing metallic guitars, robotic synths, pounding machine-like rhythms and, of course, singer Till’s earth-rumbling baritone. That’s not to say the Neue Deutsche Härte pioneers haven’t progressed – rather their growth has been evident more in their songcraft than the actual ingredients to their sound, save a few horns and acoustics. Standout moments on this first taste include the searing thrash metal of Asche Zu Asche, electro-pop masterpiece Du Riechst So Gut, haunting ballad Seemann, and the unforgettable closer named after the group themselves. Though the production wasn’t quite as expansive as the music, the 11 songs impressed Nine Inch Nails mastermind Trent Reznor enough for him to include Heirate Mich and the self-titled finale on the 1996 Lost Highway soundtrack.

While that debut fared well on home soil and Austria, climbing into the top 10 and top 20 respectively, it was Rammstein’s sophomore release that saw global recognition beckon – mainly thanks to GRAMMY-nominated lead single Du Hast. More than two decades on, it remains the benchmark for industrial metal – an enduring juxtaposition of opposing extremes. Both playful and sinister, simplistic yet intelligent, soulful and mechanical, it encapsulates the conflict between man and machine like few had done before and have done since. Then there are the double meanings the Germans have become famous for – its main lyric translating as either ​‘you have me’ or ​‘you hate me’, depending on Till’s diction. Other tracks like Engel and Bück Dich remain setlist staples to this day, the latter of which involving some of Till’s more, um, ambitious flair for showmanship.

Ahead of the longest creative gap in their career, Rammstein’s sixth effort Liebe Ist Für Alle Da (meaning ​‘love is for everyone’) documented the Berlin sextet at their most provocatively twisted. The video for lead single Pussy premiered on German porn site Visit‑X, depicting the band members engaging in various sexual activities – though which of the close-up scenes were performed by stunt doubles remains unclear. Wiener Blut (translating as ​‘Viennese Blood’) was inspired by one of the most harrowing kidnap cases in European history, where Austrian engineer Josef Fritzl imprisoned his own daughter inside a basement for 24 years, fathering seven children with her. Ich Tu Dir Weh (meaning I Want To Hurt You) also contributed to the album being initially banned from public display in their native country, thanks to its wishlist of sadomasochistic practices that included the employment of needles, pliers, saws and – most perturbing of all – the insertion of rodents into the human body. Ew. Germany’s Federal Department For Media Harmful To Young People lifted the ban the following year, ruling it was more ​“a surrealistic hint at violence” than anything containing detailed or real descriptions of violence. In their official making-of video, guitarist Paul Lander explains how [keyboardist] ​“Flake gets mishandled by Till in this tub, gets liquid metal poured over him to visually underline the song text [lyrics]… because Flake is the weakest member of the group.” This scene has become a firm fixture within their curiously bombastic and gale-force theatrics on stage.

Rammstein Songs Lyrics

Boasting nearly as many fan favourites as the masterpiece that preceded it (more on which to come), album number four was the sound of Rammstein rising to the challenge which they had set themselves. Mein Teil, which won the group their second GRAMMY nomination, delved into the German cannibalism case of Armin Meiwes, who was nicknamed Der Metzgermeister (The Master Butcher) by national media for using the Internet to find a voluntary victim he could cook, eat and kill. On second single Amerika, Till ditches his native tongue to launch a scathing attack on the Americanisation of the modern world, bemoaning ​‘This is not a love song, I don’t sing my mother’s tongue’ in his pop-infected denunciation. ​“It’s fine that everyone can watch American movies and listen to American music,” admitted drummer Christoph ​‘Doom’ Schneider in official making-of documentary behind its moon landing-themed video, ​“but when one culture starts to export their values and tries to manipulate others for their own gain, like in Iraq, then it becomes too much.” Keyboardist Christian ​‘Flake’ Lorenz’s take on it was more tongue-in-cheek, admitting in the same documentary that ​“we hope the Americans like the song, find it amusing and think, ​‘At last the Europeans realise how good we are!’”

Rock music was in a state of rude health as 2001 came to a close. Landmark releases from Slipknot, Tool, System Of A Down and Opeth cemented the year as an exceptional time for heavy, life-affirming noise. It would also see Rammstein reach their creative peak – renting the famous Weimar house on the German Baltic coast the year prior for pre-production before recording at Studio Miraval in France – where Pink Floyd tracked The Wall. It might not be a double album, but for many fans Mutter is to industrial metal what the 1979 Pink Floyd masterpiece is to progressive rock – exemplary in its artistic ambition and unmitigated in both finesse and flair. Its biggest single, Sonne, was actually written as entrance for Ukrainian boxing brothers Vitaly and Wladimir Klitschko, though the pair ended up going with the somewhat less metallic sounds of Tina Turner’s Simply The Best. Five more singles came after that – Links 2−3−4, Ich Will, Mutter, Feuer Frei! and Mein Herz Brennt, the latter of which arriving 11 years after the album’s release. Mutter’s 45 minutes showcased Rammstein at their unbridled world-beating best – though whether it will continue its legacy as their undisputed masterstroke will remain to be seen come May 17. In any case, it will forever exemplify sonic warfare of the highest calibre.

Rammstein Songs Download

That’s right: the Rammstein frontman has made a second German language book for National Geographic…

The Nine Inch Nails men’s score for David Fincher’s new movie is awesome…

Ramm 4 is an unreleased song by Rammstein.

Background

• It is unknown where the song title's origin comes from. One theory is, that it is the fourth song where the band name is sung in a chorus. The first three ones being Wollt ihr das Bett in Flammen sehen?, Rammstein and Rammlied. A fourth song also repeatedly using the band name, although only spelled by individual samples is 5/4. So it is unclear if the band counted only the first three mentioned songs, or if they started counting at zero.
• The song contains parts of lyrics from older songs and a new chorus.
• According to visitors of Flake's reading tour in 2017, he said that this song would be on the upcoming album at the time. Despite this, the song did not appear on the album's tracklist.
• 'Auferstanden aus Ruinen' was the national anthem for the German Democratic Republic.
• All mentioned songs in order: Sonne, Das alte Leid, Der Meister, Wiener Blut, Mein Herz brennt, Feuer frei!, Asche zu Asche, Bestrafe mich, Liebe ist für alle da, Bück dich, Amerika, Ich tu dir weh, Stein um Stein, Engel, Weißes Fleisch, Wiener Blut, Du riechst so gut, Herzeleid, Wo bist du, Stirb nicht vor mir, Führe mich, Links 2-3-4, Du hast, Keine Lust, Zwitter, Reise, Reise, Mein Land, Wollt ihr das Bett in Flammen sehen?, Feuer und Wasser, Das alte Leid, Ich will, Spieluhr
• When a fan asked Paul about the song during a meet and greet on their Europe Stadium Tour 2019, Paul said that they still plan to release it, although rather on a new album than on a b-side or standalone single.

Versions

Studio

Live

Live

Live performance

2016 & 2017 Tours

The song would start with a 60 second countdown present on monitors at both sides of the stage. The stage would be covered by a big curtain with the outline of a single digital number. When the countdown hit 10, the number 9 and the following numbers would start appearing on the stage curtain as well. When the countdown hit 0, the top of the curtain would explode, letting it fall down. Both sides of the stage would also fire many barrages of red fireworks into the air. The intro synth track would also start at this point, with Flake being one of only two members present on stage. The other member present would be Schneider, who would be laying at his drums, only rising after a while in order to join Flake in playing the intro. Both Richard and Paul would also join in after a while. Both of them would be located on lighting rigs which would start to lower once they started playing. On each side of the rectangular space would be a lit flare. Both guitarists would get off the rig once it reached the stage floor, and they would start walking towards each other at the center of the stage. Once they both got there, two rows of small explosions would go off into the air, and Olli would join them from the backstage opening.

Rammstein Best Songs Download

A small break would follow, and Till would appear from the side of the stage. He would be wearing a top hat, and tapdance his way to the center of the stage. Till would then bow, stick out his tongue, and throw the hat away, which would explode. A short while after this, the others would resume playing and Till would start singing. Richard and Paul would provide backup vocals during the 'Ja - Nein - RAMMSTEIN' part of the chorus. During the last verse, only Flake would provide background music while Till slowly said the lyrics. The beginning of Till's third line would differ on each performance. When performing at a festival, he would usually say the festival's name, followed by 'es beginnt'. On other occassions, Till would say something in the native language of the country they would be performing in. After this verse, the band would continue playing instrumentally before Paul and Richard would start singing 'na na na' whilst playing slowly. They would then have the audience do this for a short while, before everyone starting to play like normal again. Till would then finish the song by singing the last chorus. He would bow deep and yell for the last 'Rammstein'.

Up until 30 June 2016, Till would wear his normal stage outfit during the performance, and his hat would be dark grey in order to match the outfit. From 1 June 2016 onwards, this would change, with Till now wearing a white tailcoat outfit with gold trimmings. His top hat would now be white as well.

Variations

Professional recordings

Rammstein Songs List

Lyrics

Sources